If the term “boxing lifer” could ever be applied to someone it would be to Hall of Famer Don Chargin, who died Friday at a hospital in San Luis Obispo, California, following a battle with lung and brain cancer. That’s because his passion for the sport and for those who participated in it spanned nearly three-quarters of a century, of which 69 were spent as a promoter. From the time he boxed as a teen-ager to the end of his Methuselah-like career as a promoter, matchmaker and consultant, Chargin collected a storehouse of knowledge, contacts and memories that rivals that of anyone who has yet lived – or may ever live.
Better yet, despite all his accomplishments, Chargin plied his trade with such dignity and integrity that Tim Kawakami, then a writer for the Los Angeles Times, deemed Chargin “the last gentleman promoter left in boxing.” Although he began promoting fights in 1951 and continued to stage shows even as he approached 90, Chargin is best known for his two-decade tenure as matchmaker for the Olympic Auditorium. While working there for promoter (and future Hall of Famer) Aileen Eaton, he and his wife Lorraine occupied the epicenter of arguably the greatest fusion of geography and fistic talent boxing has ever seen.
The names that regularly graced the marquee during Chargin’s run were a Who’s Who of regional talent. They include Bobby Chacon, Mando Ramos, Danny “Little Red” Lopez (and older brother Ernie), Lupe Pintor, Pipino Cuevas, Alfonso Zamora, Gilberto Roman, Jaime Garza, Albert Davila, Julio Cesar Chavez, Richie Sandoval, Rafael “Bazooka” Limon, Alberto “Superfly” Sandoval, the Bejines brothers (Kiko, Oscar and David), the Baltazar siblings (Frankie and Tony), the Pimentel brothers (Jesus and Jose), Ruben Castillo, Oscar “The Boxer” Muniz, Art Frias, John Montes, Rodolfo “Gato” Gonzalez (both the lightweight champ of the 1970s and the hot prospect of the 1980s), Juan “Kid” Meza, Irleis “Cubanito” Perez, Roberto Elizondo, Joey Olivo, Frankie Duarte, Randy Shields, Carlos Palomino, Tury “The Fury” Pineda, Armando Muniz, Monroe Brooks, Rafael Herrera, Andy Price, Shig Fukuyama, Oscar “Shotgun” Albarado, Frankie Crawford, Hedgemon Lewis, Jerry Quarry, and Luis Rodriguez.
Add to that an impressive list of Olympic Auditorium visitors like Salvador Sanchez, Sean O’Grady, Romeo Anaya, Eddie Mustafa Muhammad, Jorge Lujan, Jose Luis Ramirez, Rodolfo Martinez, Howard Davis Jr., Michael Spinks, Bruce Curry, Chucho Castillo, Adolfo and Edwin Viruet, Ken Norton, Sonny Liston, Joe Frazier, Emile Griffith and Marvelous Marvin Hagler and one can see why the Olympic was called “The Madison Square Garden of the West.”
Chargin and his wife had a tough act to follow in George Parnassus, who was inducted into the International Boxing Hall of Fame in 1991. Soon after Parnassus’ departure the Olympics’ other husband-and-wife team – Cal and Aileen Eaton – began promoting weekly shows that were televised throughout the region. It was Chargin’s job to make the matches and he was so good at it that broadcaster Jim Healy dubbed him “War-a-Week,” a nickname that stuck for the rest of Chargin’s life.
Chargin said the secret to that era’s success was flexibility.
“I was fortunate enough to be associated with Aileen Eaton at the Olympic Auditorium and she never allowed us to have promotional contracts with these fighters and managers,” he told FightSaga’s Joseph Herron in 2011. “Her favorite saying was ‘if they don’t want us then we don’t want them.’ As a promoter she was so far ahead of her time. She used to say that promotional contracts were unnecessary and didn’t give you the freedom to make the best matches possible. We used to put on the best possible fights for the fans, and as a result it was a fighter’s career ambition to fight at the Olympic Auditorium.”
The abundance of fighters on both sides of the U.S.-Mexico border provided a massive talent pool from which to choose as well as a powerful and passionate fan base to attract. Despite the series’ availability on free TV the Olympic consistently drew large live – and lively – crowds.
Chargin promoted some of the best fights of the era, which included Bruce Curry-Monroe Brooks at the Olympic – a grudge match whose action exceeded the emotions that fueled it – and Bobby Chacon-Danny Lopez at the Sports Arena, which lacked the animosity of Curry-Brooks but was box-office gold anyway. But of all the fights Chargin put together, his single favorite contest took place August 6, 1970 when former lightweight titlist Mando Ramos captured a 10-round split decision over onetime featherweight king Sugar Ramos in one of the Olympic’s bloodiest and brutal contests.
“They sat 10,400 at the Olympic and we had 14,000 people in there,” Chargin recalled decades later. “People on both sides were screaming to stop it. I’ve got a picture on my wall. It’s at the final bell and they’re hugging each other. Both are cut above and below both eyes. It’s the most brutal thing I’ve ever seen.”
Cal Eaton died a few months after the series began and Aileen, who handled most of the detail work anyway, assumed the controls confidently and successfully until the early 1980s. Don and Lorraine Chargin shared a similar dynamic – he was the visionary matchmaker while she was the Olympic’s building manager – and when they left the Olympic they formed Don Chargin Productions. They helped revitalize the boxing scene in Sacramento by developing the careers of eventual champions Tony Lopez, Willie Jorrin and Loreto Garza. Garza was so appreciative of the Chargins’ efforts that he named his first-born daughter after Lorraine. The pair continued to put on shows until Lorraine died in April 2010 following a short bout with cancer.
“We were always together,” Chargin said shortly after her passing. “She was always with me since my days as an Oakland matchmaker for Jimmy Dundee in the late 1950s. She was a heck of a ‘detail’ person…I always made the matches and helped with the publicity but Lorraine took care of everything else…the tickets, the insurance, basically the ‘nuts and bolts’ of the event.”
Though Lorraine’s death devastated Chargin, who was married to her for 49 years, it didn’t extinguish his love for boxing. After all, it had occupied the vast majority of his life, which chronologically began July 5, 1928 but whose purpose began once he caught the boxing bug. Growing up in San Jose, Calif. in a family with Russian roots (the family name was originally spelled “Kirigin”), the teen-aged Chargin boxed in the 165-pound weight class while at Ballarmine College Preparatory in San Jose and his leadership skills were such that he captained the team as a junior and coached it as a senior.
“I didn’t know much more than my classmates,” Chargin told the L.A. Times’ Jerry Crowe in 2010. “So I used to go down to the pro gyms and pick up a few things. That’s the way we did it, and I got the bug.”
A heart condition forced him to abandon his in-ring aspirations so he turned his attention to the business side of the sport. Chargin told the Times’ Crowe about an episode in his early 20s that helped form his approach. The promoter for whom he was working was going through a hotly-contested divorce and circumstances forced Chargin into an instant promotion.
“He went on a two-week drunk,” Chargin told Crowe. “And I did everything…and nearly killed myself because I felt bad for him. Well, when the thing was over, I thought I would be rewarded in some way — and he gave me $50. I swore right then, ‘I’m going to get my own license and I’ll never treat anybody like that.”
But before he commenced living by that code, he had some unfinished business with the under-appreciative promoter. He promised to take the man’s leading attraction and make money with him. He fulfilled that vow by securing his promoter’s license and using that fighter to stage his first show in San Jose on September 3, 1951, a card topped by Eddie Chavez’s decision victory over former bantamweight champion Manuel Ortiz. According to Crowe’s article, Chargin turned a $16,000 profit.
Chargin spent the next several years as the matchmaker for Oakland-based promoter Jimmy Dundee before moving on to the Olympic and continuing his life’s work through Don Chargin Productions. He and Lorraine were jointly enshrined in the World Boxing Hall of Fame as well as the California Boxing Hall of Fame in 2007 and both felt they should have been inducted together in Canastota when he was elected for the Class of 2001.
Chargin used boxing to help cope with Lorraine’s death and the result has been a continuous assembly line of opportunities. In July 2014 Chargin began his second tenure as a senior advisor at Golden Boy Promotions (the first, which began in 2002, was ended by then-CEO Richard Schaefer) while also continuing to stage his own shows. Like most successful people Chargin evolved with the times. He used social media to promote his shows, granted regular interviews to various YouTube channels and he was a regular guest on the “War A Week Radio Network” with hosts Joseph Herron and Rodney Green.
Chargin’s arc of relevance was remarkable, for it exceeded even that of Don King, Bob Arum and every other prominent promoter and matchmaker in boxing history. Even more impressive was the high regard with which he was held.
“Don Chargin is the smartest man in the sport,” longtime publicist Bill Caplan said in a June 2015 YouTube interview. “He knows more about boxing than anybody in the world. You see that every time, every day, people like me come to him for advice, Oscar (de la Hoya) comes to him for advice, everybody comes to Don for advice. It’s like having a sage imparting his wisdom on you.”
Unlike King or Arum, however, the soft-spoken Chargin preferred to remain mostly in the background because he knew that the fighters were the stars of every show. But when asked, he was willing to impart every bit of his knowledge, which stretched back to the days of Sugar Ray Robinson.
This past June, Chargin realized yet another dream as he was onstage to witness the induction of his wife into the International Boxing Hall of Fame. The emotion that etched his face as inductee J. Russell Peltz delivered the speech was unmistakable and moving for those who knew of their unshakable connection.
With every passing day, boxing’s treasures are moving on to the world beyond. For Chargin, the legacy of his wars that occurred week after week and year and year will live on for eternity.